Wiener Werkstätte and Art Déco

“… we should always avoid the pompous and continually
strive towards a better material and a more accomplished
construction. After all our life, insofar as it can be
taken seriously, obtains dignity through simplicity, honesty
and purity…” Josef Hoffmann, 1901

The friendship between Stefan Rath and Josef Hoffmann and the artists of the
Wiener Werkstätte, led Lobmeyr into the eye of the new revolutionary movement
in art and design in 1910. Compared to Historism, this was a totally “Modern
Movement”. The shapes became geometric, often lighter, more reduced. Stefan
Rath demonstrated his courage and candour from the outset by working with this
group of radical designers. Their designs challenged not only the prevailing taste,
but also the material glass, whether in the “architectural” style or as delicate muslin
glass. This period is an important chapter in Lobmeyr’s history and self-image.
Many of the creations from this period became milestones in the style history of
glass. In addition to Josef Hoffmann there were other outstanding designers such
as Oswald Haerdtl, Ena Rottenberg, Michael Powolny and Oskar Strnad. Together
they prepared the way for the enormous Parisian “Exposition des Arts Décoratifs
et Industriels Modernes” in 1925, resulting in the Art Déco movement. The Jury
awarded Lobmeyr the Grand Prix.

Drinking set No.240 “Ambassador“, Oswald Haerdtl 1925
“Serie B“, Josef Hoffmann 1914
Model No.41085/22 made for “Kölner Werkbundausstellung“, Josef Hoffmann 1914